Blithe Spirit by
24 February - 3 March 2001

Cast:
RUTH CONDOMINE , Angela Daniels
CHARLES CONDOMINE , Guy Radforth
ELVIRA , Jo Mason
MADAM ARCATE , Janet Grant
DR. BRADMAN , David Ashley
MRS. BRADMAN , Trudi King
EDITH , Laura Brocklesby
An O.R.P Production Directed by Sheila Carradine.
Crew:
SET DESIGN : Peter Turton
LIGHTING DESIGN : Alan Wood
SPECIAL EFFECTS DESIGN : John Upton
STAGE MANAGER : Ray Lockey
SET CONSTRUCTION : Ross Ashley, Harold Jones, Peter Turton, Danny Hulse, Ray Lockey, John Upton
COSTUMES : Paul Spilsbury/O.R.P. Wardrobe Birmingham Costume Hire
WIGS : Darren Warev
PROPS : Lisa Smith, Jane Mills
SOUND : Gillian Lessiter
PRODUCTION ASSISTANT : Scott Vanes
We would like to thank Johnathans Hotel and Restaurant for their assistance in this production and Sandwell arts for a grant towards exhibition stands.
The play is set in the Condomines living room during the summer.
ACT I:
SCENE I: Before dinner
SCENE II: After dinner
ACT II:
SCENE I: Around 9:30 the following morning
Interval 15 minutes
ACT III:
SCENE II: Late the following afternoon
SCENE III: Evening several days later
ACT IV
SCENE I: Evening a few days later
SCENE II: Several hours later
When Charles and Ruth Condomine decide to organise an evening of innocent dabbling into the occult, with the mysterious Madame Arcarte, they are unprepared for the deliciously disastrous results or for the return of Charles' first wife the mischievous Elvira.
The Play:
In six days during a springtime holiday in Portmenon in May 1941 Blithe Spirit was written and from the original draft only two lines were subsequently amended before it went into production the following month. After a short tour it opened in the West end in July where it ran for nearly 2000 performances (a record only broken by The Mousetrap) and on Broadway for 18 months.
During 1942 & 1943 Coward played the lead in a six month nationwide tour from Inverness to Exeter -hazardous and difficult in those cold dark wartime years. During a performance in a freezing theatre in Inverness, Coward complained to his leading ladies in the interval that he was unable to hear himself speaking owing to the chattering of his teeth - " in the second act, to our immense relief, the theatre caught fire"...
The play also marks a watershed in Cowards writing from his seeming obsession with bright young things of the social set, to more universal themes and that a flippant comedy about death endures is tribute to his writing skills. R.T.
Programmes for 2000/01 Season
Blithe Spirit : A Chorus of Disaproval : Natural Causes